Wednesday, January 1, 2020
A superyacht education
Before I began working on luxury motor yachts in the summer of 2001, I could scarcely imagine that I would soon look after English lords and Mafia, be subservient to a prostitute, nor call a 30 million dollar boat my home. Evian baths were as yet unheard of, as were death-hits, physical abuse and bullet-proof cars. I was unaware, then, that pirates still existed, and the concept of my death was a distant, distant thing. I understood neither that the rich could behave so badly, nor that their privileged lives could be so damned sad. I was blissfully ignorant that my principles could be bought so cheaply, and hypocrisy was still something that only other people practiced. Being a yacht stewardess changed all that.
Sunday, December 1, 2019
Welcome to the Saint Tropez superyacht caravan park- where everyone is nuts
Imagine a world where servants
enter their boss’ presence via hidden doorways disguised as bookshelves, the ‘Madame’
bathes in Evian, and supermodel guests refuse to flush their own toilets. Where replacement puppies are ordered for the
duration of a holiday, and Lear jets are sent across the globe to pick up a
single Wagu steak (£200) for the dog’s dinner.
Accompanied by a bowl of chilled Evian, bien sur.
Welcome to the Saint Tropez caravan
park for super-yachts, where everyone is nuts.
A super-yacht is any privately-owned pleasure
yacht over 80 feet in length, although an 80-foot yacht is a minnow now in an industry where oligarchs, tycoons and
royalty wage endless status-wars to build the largest mega-yachts. The biggest now (Eclipse, owned by Roman Abramovich) surpasses 535 feet and comes equipped with cinema, anti-missile shield and a submarine. Some might call that overkill.
These super-yachts, with helipads
and Jacuzzis and cabins of marble and gold, cluster at anchor off Saint Tropez
and Saint Barths or squish together in the ports of Portofino and Porto Cervo,
close enough that they can hear each other’s music and watch each other’s
procession of guests- the movie stars and models, mafia and oil barons, the
bankers, inventors and diamond-mine owners.
Add mistresses, prostitutes, bodyguards and nannies, and here you have
the world’s strangest caravan park, where the richest families on earth return each
year, en masse, to mingle with their kind.
Some years ago, I moved to the
South of France to find a job as a super-yacht stewardess, which, sadly,
doesn’t require a cape as the title might suggest. (A lobotomy might prove
useful though.) I hadn’t realised that I was about to become a domestic servant
in a floating Downton Abbey, albeit one where my employers would sometimes more
resemble Vlad the Impaler than the benevolent Lord Grantham. I had doubts as to whether I was
psychologically suited to being ‘the help’.
As it turned out, these were excellent, well-founded doubts.
My first day on a 30 million dollar yacht was illuminating. I was instructed by the chief stewardess that ‘Madame’,
(the yacht owner’s wife) would only bathe in Evian water, and that we were to
send her dry-cleaning to Paris on a Lear-jet.
I was prohibited from using the same doorway as her, and was told to enter and exit her cabin via the emergency escape hatch. The captain also warned me against ‘speaking to
the guests without being spoken to first’.
He clearly didn’t realise that telling an Australian to ‘know her place’
is an exercise in futility.
Three weeks later, I quit the yacht
after ‘Madame’ split her Filipino servant’s nose with a flying stiletto after
discovering one of her evening gowns had slipped off its hanger at sea. She screamed
at the young woman that she would throw her passport overboard and that she
would never see her family again. When I
suggested (quite strongly) that the girl should quit, she told me that she couldn't quit, as Madame had flown to the Philippines and bought her from her family with a
suitcase full of money. If I was the 21st century servant, this girl was the 21st century slave. My super-yacht education had begun with a
bang. Like all worthwhile education, it
involved scandal and danger, and would change the way I saw the world.
Not all super-yacht owners are
bonkers, of course. Some are polite, spend
their time playing Scrabble, and barely ever throw things. Amusingly for people swanning about in a
giant white yacht, some even try to travel incognito and wear scruffy old clothes. I won’t be writing much about them. Dull, you see. Violent megalomaniacs are just that bit more
interesting. Especially the billionaires
that used to live behind a certain heavyweight curtain. I’m not sure if they
think that Lenin might jump out from behind the jetskis, confiscate their
American blue jeans and make them start queuing for bread again, but that lot
sure know how to misbehave.
Welcome to the secret life of super-yachts.
Wildly ostentatious, utterly conceited...and hugely entertaining.
Wednesday, February 27, 2013
Part One- Jackie O' and the Bahamian Bordello, Florida
Question on US immigration
form: “Are you intending to try to overthrow the government of the United
States?”
Gilbert Harding: “Sole purpose of
visit.”
They don’t just let anyone into the
United States of America you know. There are requirements, specifically a
return ticket back to where you came from, at least $3000 dollars in a bank
account, and the understanding that you won’t look for work while in the
States. I’m distinctly aware of my failure on all three counts, and as I
am driven towards Montreal airport I become increasingly nervous about getting
through US immigration. My nerves aren't much helped by a carload of
people from the hostel I’d been living in tutoring me on how to escape
detection if I am pulled aside for questioning.
“Don’t look left, it is a sure sign
you’re lying.”
"Don’t fidget, or cross and uncross your legs."
“Don't look nervous.”
It seems that they not only have
some experience in these matters, but that they are enjoying themselves a
little more than I think necessary. My hangover grows exponentially
as office buildings flicker past the window and the airport draws into
sight. I want the drive to last forever, and remaining in Canada
seems like an increasingly attractive option.
30 minutes later, my worst fears
are realised as I find myself ushered into an interview room, where American
immigration officers look suspiciously at my fictitious typed itinerary and
listen with blank expressions as I try to explain why I am not carrying proof
of my finances or a return ticket to Australia. I suspect that 'I have no
money and don't want to go back to Australia yet' is not the answer the
gatekeepers of Fortress America are looking for, so I keep it to myself. While
I answer their questions I busy myself looking left, fidget like a junkie, and
shift nervously in my seat as if being attacked by fire ants. I am
sweating last night's booze by this point, which I’m fairly sure isn’t helping
my credibility. I stare at the clock in the long intervals I am left alone,
aware of both my imminent flight departure and the surveillance camera trained
on me as I compulsively cross and uncross my legs.
As I wait I ponder (as much as a
wine-soaked brain can ponder) the irony of being denied entry to a country I
have no overwhelming desire to visit, let alone live in. I would really,
really like to point that out, but think it might be counterproductive.
Finally, as the hour passes and I reconcile myself to missing my flight and
having my entry rejected, they send in a very large lady with a very large gun. She lowers herself bulkily into her swivel chair, which sinks towards the floor with a mechanical sigh.
She shuffles and breathes heavily through her mouth as she looks through the papers on her desk.
“Where is your return ticket? Where is your proof of finances? What are your plans in the United States?” And then we go through it all again. I’m not a very proficient liar, and I feel dizzy and very much like throwing up. Finally, when I am entirely sure she will refuse my visa, she stands behind me, leans over my shoulder and says, “You are going to Fort Lauderdale to look for work, aren’t you? Boat work," she adds. This is not really a question, more of a statement.
“Where is your return ticket? Where is your proof of finances? What are your plans in the United States?” And then we go through it all again. I’m not a very proficient liar, and I feel dizzy and very much like throwing up. Finally, when I am entirely sure she will refuse my visa, she stands behind me, leans over my shoulder and says, “You are going to Fort Lauderdale to look for work, aren’t you? Boat work," she adds. This is not really a question, more of a statement.
“No,” I say, absolutely not. Just a
holiday."
She stares at me for what seems
like an eternity, flicks through my passport one more time, and stamps
it. “You’d better not be," she warns, handing me my passport,
“go catch your plane." And I run for the plane bound for Florida, a place
I don't want to go, and for a job I don't want.
I am hoping to find a boat that is
heading to the Caribbean for the winter season. This job search in itself
is illegal, as looking for any work in America on a tourist visa is
illegal. However, thousands of foreign yacht crew do this every year, and
apply for their US visas once they find a job on a foreign-flagged vessel. At
which point you are no longer working in America, but on a floating bit of some
tax-free haven, most often the Cayman Islands. And, therefore, no longer
doing anything illegal. I don’t think. It’s complicated. But
I am on my way there, nonetheless, and as I am welcomed into America by a
customs official who hands me a handful of chocolate-covered cranberries and
cheerily tells me to 'Have a great time in the USA, the best country on
earth,' I think that this could be a most excellent adventure.
I walk out of the big glass airport doors into a wall of rain and tropical heat, and take a taxi to a cheap motel. I feel as if I have squeezed inside my TV set, as we zip past strip malls (which to my surprise, don’t have strip clubs in them!) and the endless chain stores and restaurants on route 95. Pick-up trucks are everywhere,‘gas’ is cheap, there are no footpaths, and the people I can see are all either blonde and perfect or overweight and wearing a tracksuit. It is exactly how I’d imagined Florida to be, and I am pretty damn thrilled.
I walk out of the big glass airport doors into a wall of rain and tropical heat, and take a taxi to a cheap motel. I feel as if I have squeezed inside my TV set, as we zip past strip malls (which to my surprise, don’t have strip clubs in them!) and the endless chain stores and restaurants on route 95. Pick-up trucks are everywhere,‘gas’ is cheap, there are no footpaths, and the people I can see are all either blonde and perfect or overweight and wearing a tracksuit. It is exactly how I’d imagined Florida to be, and I am pretty damn thrilled.
I check in at my motel, a white
two-storey place with a communal balcony built over the car park, just like in the movies. This
pleases me some more. The room has that smell of cheap motels everywhere,
a mix of astringent cleaning products and stuffy air-conditioning, and I am
delighted to see that the toilet has been ‘sealed for my protection’ with a
paper strip. I wonder what exactly it is I am being protected from.
What is in there? I grin to myself as I snap the paper with a flourish
and imagine a clown bursting out, or the singing dancing creature in a hat and
cane that emerges from the man's stomach at the end of Spaceballs. I look around
at my room, wondering which of the giant beds I will sleep in. I decide
to spend some time in both. I lie down and watch telly for a while,
flicking channels, skipping past evangelical preachers and countless
infomercials, finally settling on one of the myriad versions of CSI, where I watch a lady in
high heels and waist-length blonde hair conduct an experiment and think for the
hundredth time, her hair must
surely get in the evidence. Hungry, I decide to go for a walk to find
a restaurant.
“Oh, you can’t walk!" The motel
receptionist laughs at me when I tell her my plans are for the evening. “Why
are the Australians always trying to walk everywhere?” she yells to her husband
in the back room, and he laughs back.
“Just throw another shrimp on the barbie," he yells back, and
we all laugh some more, while I think, It’s
not a shrimp, we don’t call it a shrimp, we call it a prawn you idiots.
I cut them off before they start talking about the Crocodile Hunter, who I’ve
quickly realised Americans just love, and apparently I ‘sound just like’.
Good lord, I do not. They explain that there’s no footpath to walk on,
and it’s dangerous with all that traffic. Of course, I think, no
footpaths. They kindly offer to drop me off at a Tex-Mex restaurant
nearby. And so I eat nachos in a restaurant festooned with fake cacti and
number plates from all fifty States. I wonder how long it has taken them to
collect them. I ask the middle-aged bartender, he smiles at my naiveté.
“Oh, we order them from the
factory, everybody does. American memorabilia is quite the
industry.”
The next day I wake up and check
out, throw in a couple of ‘crikey's on my way out of reception for good
measure, and catch a taxi to Floyd’s Crew House, where I’ve heard captains come to
when they are looking for crew. I tell the guy at the desk that I’m looking for
stew jobs, and go to my dorm; the room smells, as they always do. It is
empty, a few people are gathered on the communal tables under the trees
outside, but I don’t feel like joining them. I sit on my bunk and look at
my backpack, wondering which interview clothes I will wear to go and see the
crew agents, and mull over the fact that I do not have any suitable
shoes. This is not unusual. I hate shoes. Having failed to come to
a satisfactory footwear conclusion, I don’t really know what to do next, and
lie down on my squeaky metal bunk. All of a sudden a corpulent, white-haired
man sweeps in wearing a white polo shirt with a yacht on it. I sit
up. His face is very red and he looks exceedingly stressed. This is
quite clearly a captain!
"I hear you’re looking for
stew work," he says, voice gruff and very Texan.
"Yes."
"Worked on yachts before?” he asks? I see he's holding my
resume in his hand.
“For a few seasons. 50 metre mostly. Motor. It's all there in my
resume." He glances down at it, but doesn't seem that
interested. I neglect to mention that I lasted 3 weeks on the
first, 3 months on the second before getting fired for sleeping with a crew
member, and six months on the third, only lasting so long because they took my
passport away and wouldn’t give it back unless I paid them thousands of
dollars. Unnecessary detail, I thought, and he looks like a man with
little time. He is looking at his watch.
“Good. You look alright. Come on.”
"I’m sorry?”
“You’ve got a job. Now, wasn’t that easy- you haven’t even
unpacked yet."
I look at my backpack on the floor
and back at him. This is unconventional, as he still hasn't read my
resume, let alone checked references. I make a decision. Why not? I can always say no
once I get to the boat if it doesn’t suit, after a few days' work. Beggars, choosers and all
that. And it saves me having to buy shoes.
So I climb into a big black
air-conditioned pick-up truck with dark tinted windows, trying not to focus on
the fact that I am getting into a complete stranger’s car and no one in the
whole world knows where I am. It occurs to me that my family don’t even
know that I’ve moved to America. His name is Greg, but asks that I call him
‘Captain’. I think this is idiotic, but promise myself that I’ll
try. I ask some general questions about the boat.
“How big is it, sail or motor,
charter or private?”
He tells me that it is a 40
metre motoryacht, private and charter, but there he stops. He seems a little
cagey about the details, and prefers to talk about how lucky I am to get a job
so quickly, and how much Americans like Australia. (Without ever going
there, the flight’s too long, but still. Practically the same country,
really.) He talks for a while about the general unfairness of the world’s
disdain for America, and how Bush is ‘setting that right, showing them who is
boss.’
"He's a great man, Bush.
I got tackled by secret service for trying to give him a hug once. On a
golf course. Great man. The world owes him a lot. And
America." I feel we are heading inexorably towards a ‘Y’all’d be
speaking German or Japanese if it weren’t for us’ moment, and steer the
conversation back to the job I’ve just been offered.
“Is there a boss-trip coming up?"
“Yes, next Friday, we’ve got sea trials next week. We've done a
lot of work on her."
“Been in the shipyard then?”
"Yeah, we bought the boat and raised it."
"Raised it?” I ask curiously. This doesn’t sound
good.
“Yeah, it caught fire in the canal here in Fort Lauderdale when it
was moored behind someone’s house, and it sunk. Shallow water though, so
me and the owner bought it and raised it. I own 10%.”
Oh no, I think, alarm bells
screaming. This is weird. I have never heard of a captain having shares in a
yacht before, normally the owners are richer than God and have no need for
shared ownership.
“The owner’s a friend of
mine," he says, seeing my uncertain look. “Sure, it’s a bit
unusual, but it’s going to be great, lots of tips for you, we’re all going to
make a fortune."
Daywork for a week
and get out of here, I tell
myself.
"But
Dana will answer all your questions, about how it’s going to work".
“Dana?” I ask.
"Yes, the chef, she's great. We're going to meet her
now, she’s at the deli picking up lunch- they’ve got the most amazing
sandwiches- you should try their pastrami."
We pull up at the deli and my eyes
are magnetically drawn to the counter, where the epitome of a Floridian
stripper is ordering lunch. She is a stunningly beautiful blonde in her 30's,
and shares a good relationship with a plastic surgeon. She is
perfect for my Florida-girl stereotype. Enormous boobs jut out at right
angles in a super-fitting white top, bleached blonde hair falls down to her
waist. Sculptured nose, rigid eyelids and collagen lips turn towards us
as she yells,
“Greg! And oh my god, you’ve found
someone- she’s perfect!” This, to my rapidly accumulating dismay, is directed
at me. Everyone in the shop turns and looks as kilos of silicone envelop me in
a hug. I half-expect her to smell of Tupperware, but she smells of Chanel and
strong shampoo.
"This is the chef, this is Dana, isn’t she wonderful?” the
captain says, giving her shoulders a proprietary squeeze. She simpers
at him, looking up from under long eyelashes. The men in the shop,
everyone in the shop, just keep looking at her. I can’t take my eyes off
her either. This girl has serious star-power, somehow elevated rather than
diminished by the fact that she looks like a caricature of herself. She
pulls me over to the cabinet, where the middle-aged lady behind the till looks
at Dana with affection; obviously everyone knows her here, and no-one seems to
mind at all that she is holding up the queue with her amateur dramatics.
I order a salad, and we go outside to the carpark, where Dana climbs into an
open-top white convertible.
"See you back at the boat!" she shouts out, and speeds away.
"See you back at the boat!" she shouts out, and speeds away.
The captain’s cell phone rings
while we’re driving to the shipyard. He answers it, waits a millisecond,
and starts shouting. He waves his other arm around as he rants about deadlines,
and I notice his face is getting a tinge of purple within the red. He
looks on the verge of a heart attack. I look uncomfortably down at the salad
container in my lap, noticing the funny artificial colour of American
cheese. I am relieved when we pull into the shipyard in front of a
40-metre motoryacht, for while it has only 2 decks it looks ‘official’ enough,
and close enough to what I’ve worked on before to feel a little more on
familiar ground. Or teak, as it were. We walk onto the aft deck,
there are tools lying about everywhere and everything is an incredible mess.
I wonder how this boat can possibly be made ready for the owner’s trip in nine
days time. Entering the main salon, my eyes are drawn to the ‘Miami Vice’
style carpet, with giant green, purple and black diamonds stretching across
cream pile. It is vile, and my distaste must have registered on my face.
"OK, we’ll change it, you have
lots of experience, on bigger boats, you can decide the new carpet!” He
goes back to yelling on the phone, and goes back outside, pacing on the aft
deck. I jump to see a man in blue overalls is lying quietly on the
carpet near me, attaching a speaker to a stereo. I introduce myself, he looks
at me, seemingly not knowing what to say.
“Putting a new speaker in," he
finally says quietly, although that bit I had already figured out.
"The captain slashed the last one with his Leatherman. His
knife," he adds, misinterpreting my look of incomprehension.
Why”? I venture, unsure if I want to know the answer.
"He hates the radio station the old first mate listened to,
so he slashed the speaker and fired him. The mate knew, he’d been warned
before, he was just doing it to rile the captain up."
“He fired him? For listening to a radio station”? I look out
to where the captain is still yelling into his mobile on the aft deck, his
voice audible through the thick glass sliding door, and decide that this is
believable. And then, as I watch, as if on marvellous cue, the
captain takes off his sunglasses, throws them on the deck, and jumps on them,
his face a picture of purple, apoplectic rage. “He’s jumping on his
sunglasses!" I say, aghast.
"Oh, he does that all the time, he get a new pair of Maui Jims every month." The engineer seems
strangely unperturbed. He smiles, seeing my face, and introduces himself as
Simon. “You’ll get used to him. Don’t worry.” He stands up, shakes
my hand awkwardly, and walks out.
“Good engineer, given his background," says a voice
behind me. I turn around to see another man in overalls behind me, he
introduces himself as Graham. He is here to help with the shipyard
work.
Oh”, I ask curiously. “What’s
his background?”
“Amish”, comes the reply. I look at him, amazed. An
Amish engineer? “Well he ran away from the Amish family, got sick of the
horse and carriage life and came to work with engines instead. Not that great
with people though, especially women. He’s pretty quiet.” I am
thrilled with this bit of information, the wonderful American wackiness of it.
Dana arrives back at the boat, and
after a quick lunch she shows me the cabin we'll be sharing. “You’ll only have
to share it with me when we’re away on trips though, I have an apartment here
in Lauderdale.” This is excellent news, having a single-share cabin is like a
stewardess’ Holy Grail. I look in the bathroom, it is very bright. I see there is a ladder fixed to the wall behind the toilet, leading up to the deck
via a hard plastic hatch that lets the daylight flood in. I like it; I’ve
never had an escape hatch in my bathroom before. I turn back to say
something to Dana, only to realise she has curled up on the bottom bunk and
fallen asleep, looking strangely child-like. I say, hesitantly, then more
loudly,
“Dana, what am I meant to be doing?
Where shall I start? Greg said you’d know where everything was up to.”
She groans. "You can do the washing, I haven’t done any for
days", waving her arm languidly at an enormous pile of laundry on the
cabin floor. “Oh, and be careful with my hand washing.I have lots of
expensive stuff. " Hmmmmm, I think, but try and quash the
bubbles of doubt that are rising in my chest. I put some washing on, and
take a wander around the boat.
I quickly see that this boat is
far, far cheaper than anything I’ve worked on before. The bathrooms have
imitation silver and gold-plate fixtures and marble showers and counter-tops
have been replaced by plastic and cheap laminate. It is very dirty; a thick layer of dust
lies on everything, and I am itching to get a bucket of soap and wash
everything in sight. I find the linen cupboard and rifle through it, the
napkins are cheap and mismatched, I start writing a list of everything I will
need to buy. New tableware, uniforms, cleaning products,
toiletries- and everything for the boss’ trip- alcohol, snacks, water. As I write my list, I realise that somewhere over the past three years, (and despite my best intentions) I
have become a stewardess. And this bit- the top-to-bottom cleaning and
organising before a trip, shopping with a millionaire’s credit card for
beautiful things- this bit I absolutely love about yachting.
That night Dana and I go to the
Quarterdeck, a yachtie bar in Fort Lauderdale. I walk in the door with
Dana, and there is a repeat of what happened in the deli. Everyone in the
room stops, and stares. She is obviously known here, and men practically
run over for the chance to buy her a drink. She performs her part
well-incredibly well- flirting and laughing and touching the men on the
shoulder, on the arm. I am entirely invisible next to her, and she has to
prompt the men to go back to the bar and bring me a drink too. And they
do! Every inch the femme fatale, this is a most extraordinary
performance. She is clearly using them for drinks and attention- she knows it,
they know it, yet neither party seems to care. It is like something out
of a movie, and we are not left alone for a second all night as a steady stream
of drinks arrives with each batch of admirers. She feeds on the adoration,
delighted and confident, although by the number of trips she takes to the
bathroom, I am guessing the confidence is at least in part
chemically-aided. I ask how she ended up being the chef on board, and how
long she’d been cooking.
“Oh, this is my first chef job,
"she says brightly, looking at a guy across the room and waving.
"I met Greg a few months ago, at a BBQ, and he offered me the job. I
didn’t even have to show him my resume."
“Wow. How did he know you could cook?”
"Oh, I was cooking the barbeque.”
“Must have been a good barbeque, you must have made quite an
impression."
“Oh, I did," she says, giggling like a little girl. “I was
only wearing my g-string. Oh, I got paid for the work," she assures me,
misconstruing my startled look. “And I used to be a stripper, so it didn’t
bother me a bit.”
At this last bit, I snort my drink
out through my nose, my inner conservative spluttering. I fashion a big smile,
pretending I’m not bothered by that at all. What a strange crew this is,
I think for about the four hundred and eighteenth time that day. And,
looking around at the ogling men, I realise this girl is famous in Fort
Lauderdale for a reason.
Over the next week, as I shop
frantically and clean furiously and write ever more lists as we rush toward the
deadline, I struggle with Dana’s quite extraordinary approach to work.
Disinclined to cook, we eat takeaway every day, and she seems to spend most
days lying in her bunk sleeping, punctuated by spurts of manic activity and planning
for the boss’s trip. I am still entirely unconvinced she knows anything about
food. Our cabin is messy and piled with clothes; when I return her clean,
ironed laundry, she just puts it on her bunk, then pushes it back onto the
floor during her next nap, and then asks me to wash it again. This is
wearing thin, and her mood swings are catastrophic. After a few days I
realise she has a quite serious cocaine habit, as she wavers between insanely
charismatic, pathologically needy and downright petulant. Sharing male
attention is not her speciality. On Tuesday evening, we are gathered in
the galley having an afternoon drink, discussing the seemingly endless list of
things to still be done before the owner joins us on Friday. Dana is
bored and fidgeting. She tries to interrupt, but I ignore her and keep
talking.
“I’m worried my boobs aren’t as
good as they were," she says loudly. “I have to have sex. I
have to have it all the time. What if guys don’t like me anymore?”
I stop and turn to look at her incredulously. She pushes her chest out
and turns from side to side, looking at herself in the window’s
reflection. I turn back to the guys, only to see they’ve gone a bit
glassy-eyed and are staring at her like transfixed muppets.
“You’re beautiful," the deckhand says, “You are never going
to have to worry”. The older men look at her with a strange combination of
pity, bemusement and attraction. I look at them with irritation, for they
know what she’s doing. I, on the other hand, know when I am
beaten. I give up and go outside to sit on the dock, smoking and
fuming.
Our sea trials go surprisingly well
in that at no point does the boat sink, catch fire, or crash into anything in
the busy canal system. I am reassured to see that the captain knows how to
drive a boat with confidence, and that our Amish engineer seems to have a way
with engines despite having spent the first 20 years of his life tinkering with
horse-drawn buggies and communing with God through his cult-leader. As
for Dana and the growing mystery of whether she could actually cook, well, I’m
still unsure, although the menus she has written for the upcoming trip sound
good. The interior of the yacht is ready too, or at least as ready as I
think it can be without pulling it apart or spending a vast amount of
money. My budget has been heavily restricted, but I’ve managed to find
nice-enough toiletries and linens, towels and bathrobes. I look around,
still feeling dissatisfied with the relatively cheap look of the cabins. After
a moment’s hesitation, I fold the origami fan into the toilet paper. I am
vaguely disgusted with myself for the capitulation, but still feel oddly
gratified when the captain comes down to check and says, with no hint of
humour,
“Oh, I like what you’ve done
with the toilet paper- the things you learn on the big yachts, hey?”
The flowers arrive that evening, and we are ready. I have decided to stay on for the trip, simply because it would be poor form to leave them without a stew at such short notice, and I had put in such effort and wanted to see how it turned out.
The flowers arrive that evening, and we are ready. I have decided to stay on for the trip, simply because it would be poor form to leave them without a stew at such short notice, and I had put in such effort and wanted to see how it turned out.
Part 2 Jackie O' and the Bahamian Bordello
The owner is due to arrive at
midday, and I spend the morning doing one last dust and vacuum, setting up
champagne in buckets and starching and folding linen napkins into fleur de
lyses. At 11.30 am I go to the main salon to do one last check, and
stop suddenly at the sight of a half-naked blonde woman sitting on a bar stool,
her upper half bare except for a giant red ribbon tied around her
surgically-enhanced, astronomically large bosom. She sees me
staring.
"Hi sweetie, I’m
Tiffany. The captain said I could just come on board. My bag is over
there. Can you show me which cabin is mine?"
My brain whirrs. The
captain hasn’t told me that we’re having extra guests, and had certainly failed
to mention that one would be a prostitute. Mind you, he had taken to
calling me a prude when I’d said I didn’t want to go to a strip club for crew
lunch, so perhaps he didn’t tell me to see how I would handle the
situation. I tell myself that it will not be a problem, I will not
repeat the Singapore scenario where I was told by the captain that I would have
to get used to being around prostitutes or get out of yachting. Older
and wiser, I try to convince myself. I hear Dana’s car
pulls up. Moments later, she comes on board and squeals,
"Oh hi Tiffany," and I see
that I am the only person who's been kept in the dark on this one. I carry
Tiffany’s suitcase down to her cabin, I can hear them upstairs giggling, and
rustling through the grocery bags that Dana has brought in from the
car. The stripper and the prostitute. It is going to be a
long three days. I leave the suitcase on the bed as that there is no
way I’m unpacking a prostitute’s suitcase, no way. Not only was I
pretty sure I didn’t want to see what was in it, but I was feeling pretty
unhappy that my job now extended to being subservient to a person who had sex
for money. As far as first day on the job experiences go, this one
had me feeling pretty poorly about my situation in life. A few years
later, retelling the story in a Melbourne pub, a friend would point out that
the prostitute probably felt a fair bit worse on her first day on the job, but
I didn't see that at the time. I go back up to the galley, where I see the
captain and Dana looking in the grocery bags, laughing at
something. I ask them what they are looking at.
“Oh, no, you can’t look in
here," says Greg.
“You will hate this," says Dana.
“Jackie O’ will definitely hate this," Greg agrees.
Jackie O?” I ask.
"Yep, it’s what we call you. You think you’re a cut above the
rest of us. You’ll be rich one day though, I can tell it, just by
looking at you. Our own Jackie O.” He looks back in
the shopping bag. “Nope. Jackie O won’t like this at
all." They laugh at me some more, and I walk off, miffed.
Ten minutes later, another car pulls
up, and I go out to the aft deck to greet the guests, standing next to Tiffany,
who is getting stares from the men in the shipyard as she stands there smiling
with the giant red bow on her naked chest. Two men in their
seventies climb slowly from the car, one is straight and tall with silver hair,
the other short and bowed over with arthritis, with a black patch over his eye.
“Which one is Mr M?” I ask Dana.
"The one on the right," she says. “The little
one. It’s perfect that he’s got a patch because his family were
Bermudian pirates.”
"Pirates?” Of the Caribbean?
“His house in Bermuda still has dungeons for the treasure,"
says Greg. I shoot him a look, trying to gauge if he is serious.
“It’s true,” says Simon. “His family really were pirates."
“But why does he only have one eye?” I ask a bit
frantically. No-one answers, the old men are now negotiating the
passerelle. They look very unsteady on their feet and my brain hums with the
oddity of watching a one-eyed pirate walk up a gangplank to be greeted by a
stripper, a half-naked prostitute, an Amish escape, a purple-faced captain and
an Australian girl who has no idea what she is doing in this story.
Mr M. finally reaches us, the
deckhand following with his bags. Tiffany goes over and hugs and
kisses the old men, I am keenly aware that by now the whole shipyard is
watching this charade. I want very badly to run away. Mr
M. grabs my hand in his arthritic, clawed grip, and pulls my face down close to
his to kiss my cheek. I try not to recoil, disengage myself politely
and smile and offer them a drink. I tell myself that it is only a
three day trip, and that anything is bearable for three days. I fix
them G&T’s and snacks, leaving them to canoodle with Tiffany, who sits
crossing and uncrossing her legs on a bar stool wearing only a tiny denim
skirt.
We leave the dock soon after, the
boat chugging slowly through the canal past the columned mansions with private
yachts tied up behind palm trees, and turn towards the Florida
Keys. We tie up
that night behind a private island and I set up for dinner while the guests
shower, laying the table for three with candles and flowers among the sparkling
wine glasses. I go into the galley, where I am treated to the sight of Dana
actually cooking, and cooking very well as far as I can tell. I ask
what is for dessert, as I’ve only been given the menu for entree and main, and
I need to set the cutlery.
“Oh, don’t worry about that, I’ll
tell you what to do after the main course”, she tells me, tossing a colourful
salad and putting a crusted whole fish into the oven to bake.
“Fine”, I say. I think it’s a bit weird she won’t
tell me but suspect that she’s not quite ready on the dessert front
yet. I serve the scallops to start while the guests talk between
themselves, Tiffany tries to pitch in occasionally and giggles inanely at
everything they say, stroking Mr M’s leg, but she is increasingly ignored as
they talk about business. I see Mr M. shift in his seat to dislodge
her hand from his knee, she lets it fall as if by accident, and quickly uses
the hand to grab her wine glass. She looks away from the table out across the
water, her crow’s feet highlighted in the flickering candles. She looks sad,
and old. Between courses, she excuses herself from the table and
walks past me in the main salon, down to her cabin. She is gone for
a few minutes, and I am waiting for her to return before serving the main
course. The owner tells me not to wait, but I run quickly down to
the cabin and knock on the door. She opens it, a cloud of marijuana
smoke envelops me and her eyes are red and barely open.
“I’m 39, you know. I
have five children, all boys, and the oldest one asked me the other day what I
do for a living. He is starting to suspect.” I think she is going to
cry. I don’t know what to say. “It’s ok," she says,
patting me on the arm, strangely thinking that I am the one who needs
comforting. “A few more trips like this and I will have enough saved
to never have to do it again. And as long as I have drugs,"and
she nods to the joint in her hand, “then everything’s fine.”
“Are you coming up for the main?” I ask.
“No, just save me some. They don’t want me there
anyway.” I hear Dana calling, and run up and serve dinner for two.
I clear the main course back to the
galley, only to realise that Dana has disappeared. I immediately
assume that she has gone for cocaine or a sleep, and check in our
cabin. She’s not there. I walk along the dock, looking for her, in
case she’s gone for a cigarette. I go back to the galley to wait for
her to return, I’m a bit stressed as Mr. M has asked that dessert comes
quickly. He laughs when he says that, a dirty laugh, and I practically run away
from the table, a creeping sensation at the base of my spine. 10
minutes later, Dana comes up from the guests cabins, smiling.
“Where the fuck have you
been?" I ask. "He's impatient for dessert- and I don’t
even know what it is! What am I serving?"
“Calm down, Mr M will be very happy with dessert, don’t you
worry.” She runs out into the salon, and comes back with two linen
napkins and two spoons. “Now Jo, you have to go out to the men, ask them
to follow you down to the guest cabins, open the door and say, 'Gentlemen,
tonight, dessert is served in the cabin.'" I look at her uncertainly, she
pushes me slightly, “Go, go now." And so, with rising dread, I fetch the
men and hear them whispering behind me as I lead them down the stairs,
hesitantly open the cabin door and announce, “Tonight...” And there, on a
bed covered in a sheet of industrial plastic, spreadeagled below a mirrored
ceiling, is Tiffany, covered in whipped cream and strawberries.
“Come in boys,” she coos, and they
obey. She is smiling, but her eyes are red. And I hand
the men their spoons and napkins, and leave them there, her there, being
crawled all over by two horrible old men.
I run upstairs to Dana.
“Isn’t it great- we had to
keep it from you, me and the captain, we knew you’d hate it-that’s what was in
the bags!” She is so pleased with herself, and we go out together to
the dock to have a cigarette, as my mind tries to avoid what I have been party
to. Dana lies face-down on the dock , craning her head to look in
the porthole. She calls me over, “Ooh, I can barely see," she
says. “Wasn’t it the funniest thing ever?” And she starts to laugh. The
side of my mouth starts to twitch, the way it does when you laugh at
inappropriate things, and it sets me off. Before long, we are
laughing hysterically, although when we stop, I wonder if Tiffany could hear us
through the hull. I am immediately ashamed of myself, and decide to
quit when we get back to Fort Lauderdale on Monday. This isn’t my
thing. Singapore be damned.
We wake to a grey and choppy sea,
and we set off for Key West. It is rough weather, and Dana reverts
to form by refusing to cook.
“I’m seasick," she whines.
“You work on a boat- what did you expect?” I ask angrily. She's
lying in her bunk flicking through a magazine. There is a swell, but
the sea really isn’t that rough, and I am convinced she is just being
lazy. I am standing in the cabin doorway with a pile of her fresh
laundry, and I see that the last pile I’ve done has just been pushed onto the
floor again.
“I’ve left the steaks out, you cook them if you're not
seasick. It’s not hard, I’m sure even you could manage
it.” With that, she turns out the reading light above her head and
closes her eyes. My brain snaps.
“Well you can stick it up your ass," and I throw the armful
of clothes all over her as hard as I can and run to find the
captain. As far as insults go, it wasn’t really one I’m proud of, if
purely for its lack of panache. The captain is in the bridge, and I
complain to him about Dana’s laziness and refusal to cook. He looks
annoyed.
“Dana is my princess and you will
do what she tells you to. And yes, you should cook the
steaks.” I go into the galley and bang and crash around as I am
cooking, things roll off the bench and I can’t find anything I am looking
for. My fury is at fever pitch by the time Dana finally comes up to
take over in the final minutes.
I am angrily watching her plate up
as I feel a tongue slide into my ear. I jump and scream as I turn to
see Mr M. standing next to me on tip-toes. I run to the other side
of the bench. Dana looks up quickly,
“Mr M. Jo’s not here for that, I’ve
told you that. The captain’s told you that. It’s not part of the
deal. That’s why we brought Tiffany."
“But Tiffany’s boring," he says petulantly, like a young boy
who is bored with his new toy. “She’s stupid, Jo’s much more
interesting.” He leers at me.
"What about me? Aren’t I interesting?” Dana says,
and takes his arm and leads him away, expertly grabbing his
attention. She looks over her shoulder at me as she leaves, mouths
‘You ok?’ and I nod at her gratefully. She knows how to handle him,
and I am aware that she saved me from having to either yell at him or push him
away. I find myself profoundly wishing for the kind of yacht owner who sees you
only as the help and therefore not as a potential conquest. I don’t
want to give the wrong impression of yachting here, this is the only time in
many years of yachting that an owner behaved inappropriately towards me, and it
is safe to say that this yacht was untypical.
The next day goes smoothly, apart
from Tiffany being bundled off into a car while loudly protesting,
“You promised you’d pay me
for three days!” while the men sit reading their papers, resolutely ignoring
the woman they’d eaten strawberries and cream off only the night
before. I am ecstatic to hear that we will go back to Fort Lauderdale
on Sunday night, a day early. The next morning, when Mr M. leaves,
he grabs my hand and says,
“It was perfect, everything is
going to be great, see you next time”, which I sincerely doubted, yet I say my
polite goodbyes and wave them off.
"Let’s go out for lunch”, Tiffany cries as soon as
they’ve left. This sounds like an excellent idea. I love crew
lunches. Paid for by the boat, they are a celebration of the trip just
finished, less of a ‘job well done’ meal than a ‘thank god they’ve gone’
meal. I say yes, and decide to quit that night instead, after I’ve
had a free lunch in a lovely restaurant. Except we aren't going to a
lovely restaurant, I suddenly realise as we pull into the giant car park of
‘Solid Gold’. Dana has gotten her way once again, and we are going
to her old work. Her old strip club. I look around nervously,
I have never been to a strip club, and given the events of the last week, was
even less inclined than normally to view the sex industry with an open mind.
Simon sees me panicking.
“It’ll be fine. See it as an
experience. You only have to do it once.” Singapore,
Singapore, Singapore, I think. I am an adult, I can go to a strip
club. For lunch. With my co-workers. Nothing weird here
at all.
We go inside to a cavernous room
filled with tall palm trees in pots and stars painted on a black
ceiling. The place is almost empty, a couple of bored-looking men
hold beers while half-watching an even more bored-looking young woman swing
around a pole. The ‘lunch’ on offer comes from a bain marie,
and as it is all crumbed, deep fried or covered in sauce, I can't tell if
there’s anything gluten free. I pile some wilted salad onto my
plate. At least Singapore had foie gras and Moet to offer while
stuffing around with my moral compass. We take our food to a
table by the stage, and we form a weird semi-circle. What surprises
me is that the men barely even look at the girl on stage, only looking up now
and then to see that she has been replaced by another. They comment, sure, and
rate them compared to each other, but then everyone goes back to talking about
work. It’s not quite the den of iniquity I had been
expecting. It all has a whiff of the mundane about it, not at all
helped by the strippers looking like they would prefer to be anywhere
else. This place was managing to be simultaneously seedy and
mundane.
Dana seems professionally offended
by the display, and eyes the girls critically. All of a sudden she
jumps up and runs off. She returns a couple of minutes later, eyes
sparkling,
“I’ll show them how it’s done. I
spoke to the manager, and he’s said I can strip for you guys, for old time’s
sake!" She squeals, jumps up and down like a cheerleader in her
excitement, and runs off. The men laugh, and go back to their
conversation; they know Dana well enough not to be surprised by
now. I however, am surprised enough to make up for all of them when
the girl I share a cabin with comes onto the stage, takes off her underwear and
starts bending over and swinging around the pole in front of us, only stopping
now and then to grin at us excitedly and give us the thumbs up. I have to hand
it to her, she approached the job with enthusiasm, and her body, even accepting
that some of it was made of plastic, is extraordinary. She is beautiful, and I
see that the bored looking men at the next table are no longer looking so
bored. When the song stops, she runs off, puts her clothes back on
and comes back to sit at the table, looking utterly happy.
“I’ve still got it”, she exults,
unable to sit still. The manager, who is standing with us, hears her.
"Too right babe! Any chance you’ll come back and work for
us?” She flicks her hair and looks at him coyly,
“No thanks Steve, I have a job that is going to pay me even more
than stripping!” I look at her strangely, as that probably isn’t
true, not with the money she could earn in big strip club like
this. Not for the first time, I wonder what she’s getting paid.
We leave the club, and Dana jumps
into the car excitedly, still on a massive high. I look at her, all
lit up and shining and exuding sheer charisma, and I would defy any man in the
world to say no to her at this very moment. She seems happy to be
stripping again, but it is clear that it’s not about the stripping itself, but
the attention, and the validation that she is beautiful in the eyes of men-in the
eyes of everyone- and definitely not too old. Not yet,
anyway. She clutches my arm like a little girl,
"Let’s go for a drink,
let’s let’s!" But I say no, I tell her I am tired but I am
actually going back to the boat with the captain in order to
resign. She gets a little sulky to not get her own way, but
convinces the young American deckhand to go with her. He looks like
all of his Christmases have come at once, and we drop them off near the Elbo
Room on the beachfront, where a live band is playing loudly. We drive along the
front, past the palm trees and Hooters and people
rollerblading, and I look out across the beach at the Baywatch huts, the
bronzed bodies playing volleyball and the kitesurfers flying high above the
waves, and I think that Florida had most certainly lived up to its
stereotype. I was sure that there were parts of America I
would love, but this here, this certainly wasn’t it.
Back at the boat, I go to my cabin
and rehearse my speech. I find the captain on the aft deck, sitting
up on the edge of the capping rail, smoking.
“How did you find it then?” he
asks.
“What, the strip club?” I ask.
"No," he smiles, “Although that Dana-she’s quite the
character, isn’t she? I nod. I mean the trip, with the boss.”
"It was an education," I say diplomatically.
“We didn’t think you’d cope, Dana
and I. With Tiffany and things. Not our Jackie
O. But you did well, and you passed.”
“I passed?” I asked wonderingly.
“Yes, and because you did so well,
I’ve decided that I’ll tell you what is really going on here. We’ve been
waiting to see how you did, because you see, it’s not exactly
legal.” I’ve been doing something criminal? I think
wonderingly, and my mind races back to the day when the guy I was living with
in Sloane Square told me I’d been living in a squat paying rent to a junkie and
not knowing it. Doing illegal things by accident is apparently my thing.
“What do you mean, exactly, by illegal?’
“Well, this trip was a trial run.”
“I know that
bit. We were doing a trial run for the owner, so he can
charter it out."
Yes, but what we didn’t tell you,
is that we are going to run an illegal brothel off Atlantis
Casino. Nassau. In the Bahamas”, he offers, seeing
my confused look. “Don’t worry, you were never going to have to do
anything like that, you would have just been crew like on any other
boat. Oh, like any other boat except that this one is a BROTHEL,
I think.
“Except Dana, he
continued. "She’s special. Without her, this whole thing
couldn’t happen. She’s the one that’s going to go into the casino
and get the men back to the boat. We can’t do it without her, that’s
why I didn’t back you when she refused to cook." I still haven’t spoken,
and am looking out across the water. He talks
faster. “We’ll all get a commission on the girls, it’ll be
like we’re going into business together- no captain-crew hierarchy. A
commission, from prostitution? my brain screams . I will
myself to look at the captain.
"Oh, this isn’t for me at
all. I can’t do that. I hate prostitution.” He looks at
me, visibly hurt that I have turned down the offer, clearly thinking that I am
judging him, which of course, I am.
“You’ll regret it, you
know. We are going to make so much money."
“Money just doesn’t mean that much
to me. I’ll be off the boat in the morning. Good luck finding a new
stewardess though.”
An Australian, working on a boat
setting up to be an illegal brothel, and not knowing it. It just
doesn’t get much better than that. As I take my pay from the
would-be brothel and order a taxi to the airport for a flight to Antigua, I
muddle over which one is more stupendously gullible: living in a Sloane Square
squat or working on a floating Bahamian bordello?
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